Lord of the Flies Simon Sample Essay

Simon has the power of “seeing” and understanding what the other male childs can non. When the male childs worry about the beastie. it is Simon who suggests that the animal might be within them. and it is he who has the brush with the “lord of the flies. ” which is so powerful that it makes him conk. He is killed as the other male childs celebrate after a Hunt. Because his name is associated with Christianity ( Simon Peter. Christ’s main adherent ) . we can understand his decease as a forfeit ensuing from the heathen forfeit of the hog.

Simon’s intent was to demo the others that the male childs are innately evil. and that the animal is within themselves. This is because William Golding had no better manner to show the thought of the male childs themselves being the animal ; presenting it indirectly was more effectual than narrating it.

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Golding utilizations Simon’s conversation with “the beast” or the sow’s caput on a interest to explicate to the full the thought of the immorality within the male childs really being the animal. Simon has been set up as the lone male child that truly understands what is go oning and his vision is the 1 that eventually brings place to him where the animal comes from. Golding besides uses it to bode Simon’s whipping and decease at the custodies of the male childs which links for good the thought of the animal with the behaviour of the male childs and their willingness to even intentionally kill one another to seek and contend off their fright of the animal or their fright of their ain interior nature. Epilepsy was one time thought of as a expletive or as a status that gave one prophetic power. Simon’s disease separates him from the other male childs and helps him stand for the religious side of goodness and kindness. He stands in blunt contrast to Jack. who symbolizes the evil side of world. Simon’s violent decease. which occurs when he tries to convey the truth about “the beast” to the remainder the male childs. adds to both the Biblical motive of the narrative and the thought that mankind frequently rejects the truth about its ain evil nature. “The beast” is. after all. merely a human and Simon provinces asks early in the novel if “maybe the animal is us. ” This helps typify the darkness in the nature of world.

From what small we know of Simon’s life. he was in touch with a deeper sense of things than most of the male childs. He was able to care for the small childs and interact with the large childs but he ne’er became a portion of either group or folk during their struggles. He besides was able to spot through his periods of self-contemplation what the animal truly was. His rinsing out to see frees him from the immorality and darkness of the island. which is suiting since he was the lone one to truly calculate it out. He is washed off from the evil merely as he managed to remain clear of it while he was amidst the male child. This is an allegorical novel. and each of the characters and objects in it are symbolic. Simon represents the spirit nowadays in each of us ( in add-on to Ralph who represents the physical. Piggy the rational. and Jack our built-in wickedness nature ) . Given that. it’s non surprising to see Simon as a sort of Christ figure throughout the novel. His decease. so. is a image of Christ’s decease. He comes to them with good intelligence but is killed before talking it. His “broken body” is rolled out to sea. ne’er to be seen ( at least by them ) once more. He is non wholly Christ-like though because Jesus was killed for distributing the good intelligence.

Simon was killed before he could state the male childs the good intelligence. Most dramatic to me is the ocular image of his organic structure drifting in the ocean: “The H2O …dressed Simon’s harsh hair with brightness. The line of his cheek silvered and the bend of his shoulder became graven marble. ” Just believe how atrocious it would hold been had Golding non written this scene the manner he did. Imagine if he had left mutilated Simon’s organic structure on the beach to decompose. The consequence would hold been about intolerable to read. After the in writing. ghastly scene of Simon’s slaying. Golding alterations the gait from manic activity to repose. The sea creatures surround Simon’s organic structure. and it joins the beat of the moving ridges. Simon is given the entombment that he deserves. As the Christ-like figure. the one closest to nature. the symbol of goodness. Simon returns to nature in decease. Elsewhere in the novel. a more naturalist position is displayed of nature–nature is rough. unyielding. and unmindful to man’s agony. But in this scene. nature seems to be sympathetic. welcoming the one rejected by his fellowmen.

This transition is attractively written supplying readers solace for Simon’s decease. Then. the phosphorescent animals of the ocean “busied themselves around his caput. ” The image. of class. is that of a aura. His organic structure. weaponries likely outstretched. is so carried by the moving ridges out to sea. This is a fitting terminal for Simon–he lived in a sort of moral isolation and he is buried. so to talk. in a physical isolation ; he was bound by the immorality on the island. and now he is free from such corruptness and corrosion. How does the description of Simon’s dead organic structure being washed off to sea propose his ideal? A individual undergoes an ideal when they are exalted to the point of going like a God. So what we are looking for is things that show that Simon is being compared to a God or something every bit exalted. We see this with Simon because it seems like the whole universe. or at least the sea and the sky and the animals of the sea are working together to refashion him. We see Simon being “dressed with brightness” and him being made into marble.

He becomes a silver form. attended by animals ( angels? ) . traveling out to sea. Golding’s usage of light imagination in this scene leads to a tone of gradualness. He describes how the H2O “dressed Simon’s harsh hair with brightness” and the “moving spot of light” made by the phosphorescent animals. Then Simon’s organic structure basically becomes art: The line of his cheeks silvered and the bend of his shoulder became graven marble. The unusual attender animals. with their ardent eyes and draging bluess. busied themselves round his caput. The organic structure lifted a fraction of an inch from the sand and a bubble of air escaped from the oral cavity with a wet plop. Then it turned gently in the H2O. Some have suggested that this is Christ imagination every bit good. Whether or non you agree with that. there’s decidedly a sense of Simon going more than a dead organic structure. He is lit up by the “strangely attendant” animals. connoting that they recognize he should be taken attention of in some manner. Besides. the motion in the H2O may propose a transcendency of decease. What is unusual about Simon’s remark to Ralph. “You’ll acquire back all right. ”

Why didn’t he say “We’ll acquire back all right? ”
Simon seems to possess this interior cognition that cipher has. He understands what the existent animal is and knows that this group of male child likely isn’t strong plenty to get the better of it. His prophetic statement that foreshadows his ain decease is one of the grounds he is paralleled to Christ. Simon knew that person had to decease to foster the boys’ apprehension of what’s go oning on this island. As ever when you look at specific chapters and their importance you need to analyze their significance in the context of the whole book. This chapter symbolises the terminal of any traces of civilization on the island and in the community of the male childs. At this phase Jack and his huntsmans are nil but cold barbarians filled with bloodlust and able to perpetrate flagitious offenses with a clear scruples. Ralph’s followings at this phase go down and see fall ining Jack and his pack. and all are involved in the ritual dance around the fire following the slaying.

In a extremely important piece of hapless false belief. the storm that rages over the island after Simon’s decease symbolises the pandemonium and lawlessness that have overtaken the island and the male childs and besides reminds us of the calamity of the slaying and what it represents. In a sense. after Simon’s confrontation with the Lord of the Flies. where the Lord of the Flies promises that he will hold some “fun” with Simon and Simon realises that the animal is really within us all. it was clear that Simon would necessitate to face the animal in the other male childs. The Christ-like analogues between Simon and Jesus are maintained here ( though non wholly ) . for Jesus and Simon are both killed for the truth they possess. However. unlike Christ. Simon is non given a opportunity to portion his truth. Besides. of class. the map of the deceases are really different: The nazarene died to salvage world. whereas Simon’s decease merely serves to foreground the moral degeneration at the bosom of adult male and Usshers in even farther subjugation and darkness in the novel.

Golding uses imaginations of nature to demo how Simon was connected to the natural universe. After Simon’s decease. a sense of repose takes over the beach and even the sea seems to go less agitated as “the rain ceased. and clouds drifted away” . Although Simon’s decease was sad. gruesome and prematurely. Golding Tells us that “creatures with fiery eyes” environment Simon’s organic structure and turn him into a beautiful figure of “sculptured marble” . “Everything was coated with a bed of silver” . which softened the outrageousness of Simon’s decease. Golding utilizations bright colorss and descriptions such as “phosphorescence” which implies that although Simon is dead. he is “brought back to life” by the nature all around him. The images created by the sea and the universe. makes Simon’s issue aesthetically appealing to the reader. The sea is attractively described as something that accepts the organic structure of a sufferer ( Simon ) . to envelop. protect and take it from the immorality of the island. Simon’s issue was “beneath the steadfast constellations” .

Due to his relationship with the cosmic universe. Simon is differentiated from the other characters by his artlessness and his relationship with the natural universe. Therefore. the temper created in these paragraphs is scenic yet touching to the reader. During the four paragraphs that Golding utilizations to depict Simon’s journey out to sea. he draws more analogues to Simon being a Christ-like figure ; Golding is raising Simon. Slowly. Simon becomes human once more as “the animal ballad huddled on the pale beach” . The unagitated sea appears to be comforting Simon. as it takes him on his last way. to the underside of the ocean. The glowing fish in the ocean map as a sort of “living halo” . They do non eat the organic structure but possibly they are figuratively honouring the organic structure. Movement in the H2O. made by the bantam animals. could besides propose a transcendency of decease. The usage of visible radiation and dark colourss. contribute to make a feeling of eternity in the transition. For illustration “the H2O rose further and dressed Simon’s harsh hair with brightness” . These visible radiations that are around Simon are a symbol of him lifting up to heaven.

Simon is guiltless in that although he does non hold the gift of address that both Ralph and Jack possess. he understands life more deeply. In many ways. he lacks experience. the kind that enable Jack and Ralph to take. but that deficiency of experience allows him to see to the truth of life more clearly ( he is the first to understand the beastie is fear within them ) . to set the good of the group beyond his personal frights ( he suggests to mount the hill to happen out about the parachuter when others are afraid ) . and to work for the group. such as edifice shelters when others will non. In a sense. he dies for the wickednesss of the others. excessively. when he stumbles into their ritual jubilation of the Hunt. and some critics see him as a kind of Christ figure in this act. No 1 is redeemed by his decease. nevertheless. and the whole thing is an accident. but such artlessness and goodness as Simon’s could non last the ferociousness that dominates the island.